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Posts Tagged ‘Harold’

Zombie With A Cause

I am UNDEAD. Actually I just feel like a Zombie and thought this might be appropriate for the Holiday.

No ZW blog since 3AM Tuesday, but a lot has happened.

I started a new class on Game of the Scene, ordered 150 DSI shirts for the rest of the year (new DSI COMMUNICATION client wearing them on Nov 11 pushed the order ahead of schedule), published 3 new episodes of the Super Secret Comedy Podcast, started to get sick and was thrown into recovery by JRev (who made me MAN up and swallow this), I scheduled the entire month of December, already made posters to start promoting the “Best Countdown Ever 2010″ New Year’s Extravaganza, and got my haircut.

Tonight (Friday October 29th) I took notes for my 501 class MEGA Harold showcase, opened for PTSIAM and performed Diplomat with Andy Lavender. Now I’m back to the #Hustle.

Blogs COMING SOON!

1) Money in the Banana Stand

2) Funny Bullets

3) Improv Philosophy Q&A

Harold for MFA Students

Tomorrow will be my last DSI Comedy Training Workshop at UNC (Carolina) for 2010 — I cannot say enough about the opportunity to share Improv as an Artform with MFA students in the Professional Actor Training Program. I am reminded daily why I do this work and how valuable the skills are as a foundation for any artistic expression. In 6 intense days 8 new students were exposed to Harold.

Thanks to Del Close for that opportunity. Thanks to Del for a lot.

Del talks about Harold in 1986.

Thankful for Del Close

DCM12-ZW-DSI

I just arrived in New York City for my 6th consecutive summer pilgrimage to the UCB Theatre.

I landed at JFK, Air Train to Jamaica and E to 42nd Street to drop my bags. But Why? Why am I here? For the 12th Annual Del Close Marathon. YES! It has been described as Improv Christmas, an ALL YOU CAN EAT Longform Buffet performed by some of the most talented improvisers in the country (and Canada). And it happens Every Year because of Del Close and what he meant as a Director, Mentor and Friend to the Upright Citizens Brigade, and for thousands of improv disciples performing Harold around the world.

In fact, I consider myself to be one of those disciples.

It is my belief that Harold as a structure and philosophy of play is the basis for all comedic work, whether written for the stage, screen, or improvised. We have Del to thank for not only the recognition and respect improvisation has received as an Art but for a lot of what we consider to be comedy today. I never worked with Del myself, but I am extremely lucky to have worked with people who learned directly from him before he passed away. And I am proud to have Del watch over me, my students and my company at DSI.

del-backwall

“We are creating relationships between people, because in order to make improvisation work as theater or comedy, you have to deal with each other in a way that, if people behaved this way socially, the world would be a nicer community.” — DEL CLOSE, The Madness of Art

Now I’m off to enjoy the Marathon!