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Posts Tagged ‘game’

Contrast and Repetition

The Keys to Comedy are Contrast & Repetition.

My improv students are amazed when the Keys to Comedy show up in the REAL world.

I get jazzed when it happens. It reinforces the meaning of the work we do on stage and opens people up to improvisation not only as a writing tool and live performance art but as a philosophy of play in our everyday life. I call what we do mental gymnastics. It is a sport that works our most important muscle, our brain.

Recent message from a Former DSI Student (and Doctor of Physical Therapy) —

It occurred to me that the principles of comedy are the same as the principles of neuro rehab, especially following brain trauma and stroke. You work toward a movement, and then repeat, repeat, repeat to work on the neural pathways… Then, you add contrast. Without the repetition it isn’t perfected and without the contrast of new environments, situations, etc there isn’t any true incorporation or new learning. Brilliant. What else is based on ‘repetition and contrast?’

My question: What IN THE WORLD isn’t based on Contrast & Repetition?

I knew that improv and comedy would be my life’s work when I started seeing connections everywhere.

My interactions with students, my audience, my family, my partner, and how I communicated with and motivated myself ALL revealed very basic patterns — negative and positive patterns that were always similar and in most cases Exactly the same as other people in different situations. And once I saw these patterns I could adjust my actions to change the bad or heighten my actions to reinforce the good.

I started to see how understanding Contrast & Repetition and simple pattern recognition could help Active Listening, Networking, Building Relationships, Handling Difficult Situations, Brainstorming, Problem Solving, Reading Non-Verbal Communication, Exploiting Positivity… And now add Physical Therapy to the list.

Where do you see Contrast & Repetition?

Game of the Banana Peel

banana

After another class at DSI Comedy Theater focused on game of the scene, I’m inspired to write about the most classic comedy prop, the banana peel. My students learn about comedy and “game” in terms of stimulus & response. So, the banana peel. We know what it represents. We imagine comedic potential. We daydream possible outcomes. Even though we ALREADY know what happens. We look forward to the inevitable. But WHY? And who do we thank? The person who left our banana peel on the street or the poor sap who takes the spill? The stimulus or the response? You tell me. And now that we’ve started to diagnose game, WHEN someone falls on a banana peel how are they likely to interact with the rest of the world?

Repeatedly exploring that character quality while contrasting the ways it manifests = COMEDY!

Sidebar: Has ANYONE ever really truly fallen on a banana peel? (Our answer should be a resounding “No” — Myth Busters). But then, what does that mean about people who do? They project ignorance about the presence of a banana peel to exploit the peel, to achieve the comedic payoff of slipping on one.

Now you, slow down the thought process of a comic right up to her slip and FALL for comedy.

Sidebar: Some students have a hard time with the simple gag of FALLING on the banana peel because it’s what “the audience” expects to happen, and it may not feel like an Artistic choice. But in comedy what might be unexpected does not matter if what the audience wants trumps those unexpected choices.

What are your improv questions? I want to answer them.