Archive for the ‘festival production’ Category

Introducing the Reset Button

As an entrepreneur and performer in the entertainment industry I’ve had to consider what my career looks like — now, what exactly I think and how I feel about the work I do, that may be another post (after I decide how a person might put the meaning of his life’s work into words, you know, for academic study).

I’ve also had to think about how my career fits into the expectation that the average American worker experiences 6 or 7 major career shifts before they retire. I haven’t worked for anyone else since 2003. I’ve had a lot of jobs, some of them very odd jobs, but all related to my work as a performer.

  • Reddi-wip Moment Maker (Our Bus)
  • Wendy’s Baconator Tour (Emcee)
  • Ignite Raleigh Host (and Fairy)
  • Festival Mentor and Producer (Toronto)
  • Improv Coach for Couple’s Therapists (no photos)

Now I don’t consider those “jobs” different careers, just jobs. Over 10 very busy years later (10 years since producing my first Improv Festival to justify a trip to NC and 5 years since DSI opened its doors) I never want to do anything but run my own company — And, as long as I am able, I would like it to be associated with comedy. So what changes am I going to face? What career shifts can I expect before I retire?

I’ve thought about this a lot over the last few years, mostly because I have already been experiencing a career shift INSIDE my own company. The business of comedy has changed. The work necessary to effectively operate a theater has changed. Now when I am on the downside of any quarter I introduce myself to the RESET BUTTON — I try new things, I consider ALL the options, I look to what I’ve done and I try to separate my fragile ego from programs that may not be working. I want to stay true to my Artistic Vision and the Mission of my Company, but the specific ways that I execute those are flexible and may shift.

A lot of professionals argue that a business plan needs to be a LIVING document and open to change. I AGREE! I’ve worked with a lot of business owners that never had a plan in the first place, let alone a plan they were revising and repurposing for current conditions and changing demand. So that’s my career plan, to constantly check-in and be 100% willing to hit the RESET BUTTON at any time.

I’m an improviser. Easy, right? No, HARD! But I try.

Here’s to Artistic Fulfillment and Happy PNL Statements.

HERE At #MaxFunCon

MaxFunCon

After a 9-hour travel day, I made it.

MaxFunCon

Organized and hosted by Jesse Thorn of The Sound of Young America, MaxFunCon runs at a UCLA Conference Resort at Lake Arrowhead, CA. Participants network and go to sessions on comedy, creativity and rockstar nerd-stuff, with a pretty sweet lineup of presenters including Maria Bamford, Jonathan Coulton, John Hodgman, Marc Maron, Jimmy Pardo and a bunch more AWESOME people.

I’m REALLY looking forward to the weekend. It was interesting to carpool from the airport in a car FULL of web developers and tech nerds. None of the passengers had been to MaxFunCon before but they were ALL buzzing about the conference “I heard it would be the time of my life” etc etc.

I’m excited to see the demographic breakdown of attendees. I’ll be offline for a couple days but next week should feature a bunch of posts about MFC 2010, to recap the conference and talk festival production.

Enjoy the weekend. Especially you, Mom.

NCCAF Twenty 10

Twenty 10, Two Thousand AND 10. Whatever year it is, last week was awesome. On stage on Thursday, Carrboro Mayor Mark Chilton declared February 2010 DSI Comedy Arts Month (and then Mayor Chilton added, “Be it further resolved that Friday February 5, 2010 be recognized as Zach Ward Day in the Town of Carrboro” What? I was floored!) I haven’t called my Mom yet. I should do that.

Anyway, the shows were awesome. I was pumped for our local audiences to see some really great sketch comedy last weekend and I’m always excited to see Acts inspired by each other at festivals. We had Sold Out shows EVERY NIGHT, despite rain on Friday and snow on Saturday. And a fantastic day of workshops on Saturday with Second City Chicago’s Anthony LeBlanc, SAINTS FTW!

But we’ve got 3 weeks left and Standup Comedy starts Thursday

Last year when I was producing the Toronto Improv Festival I wanted to blog about what was happening in REAL TIME, problems, solutions, Festival details. I was pretty overwhelmed and out of the country so it didn’t happen, but maybe that can change for #NCCAF. You should keep me honest.

Let me know your questions OR any feedback you have.

Biggest issue so far. Last week I tweeted that we were experiencing a 2007 Horatio Level Event. Short backstory – In 2007, Horatio Sanz agreed to do the festival but he went into surgery on Tuesday before his Friday show. My friend Anthony calls me on Thursday to let me know Horatio won’t be coming. I scramble for 24-hours and Louis CK saves comedy. That was awesome. But… what could equal that?

HLE PROBLEM: Last week a venue we contracted for NCCAF 2010 Standup Week picked up the phone, only to let me know they were closed until further notice because of flooding and electrical problems. WTF? Especially 7 days out. ZW SOLUTION: I need a place that has a similar vibe, not a performing arts space that seems too sterile for standup and not just a bar because we need to charge admission, and preferably ONE VENUE for all three nights (7 total shows). The next morning I meet with Tyler’s Taproom owner and manager and we confirm a new venue. Speakeasy, 100 E Main St Carrboro. It’s actually two blocks CLOSER than the other venue. Two drawbacks, No raised stage. And it seats 65 instead of 100. But the venue is excited to host and most of the comics are also playing DSI so I think we did okay.

You could check it out and let me know. http://nccomedyarts.com/standup

Back to work.